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Informace

Right Place Wrong Time 180gr LP

Otis Rush (voc, g); Doug Killmer, John Kahn (b); Hart McNee (as); John Wilmeth (tp); Ron Stallings (ts); Fred Burton (g); Mark Naftalin (p); Ira Kamin (org); Bob Jones (dr)

Side 1
1. Tore Up
2. Right Place, Wrong Time
3. Easy Go
4. Three Times A Fool
5. Rainy Night In Georgia

Side 2
1. Natural Ball
2. I Wonder Why
3. Your Turn To Cry
4. Lonely Man
5. Take A Look Behind


This recording session was not released until five
years after it was done. One can imagine the
tapes practically smoldering in their cases, the
music is so hot. Sorry, there is nothing 'wrong'
about this blues album at all. Otis Rush was a
great blues expander, a man whose guitar playing
was in every molecule pure blues. On his solos on
this album he strips the idea of the blues down to
very simple gestures (i.e., a bent string, but
bent in such a subtle way that the seasoned blues
listener will be surprised). As a performer he
opens up the blues form with his chord
progressions and use of horn sections, the latter
instrumentation again added in a wonderfully spare
manner, bringing to mind a master painter working
certain parts of a canvas in order to bring in
more light. Blues fans who get tired of the same
old song structures, riff, and rhythms should be
delighted with most of Rush's output, and this one
is among his best. Sometimes all he does to make
a song sound unlike any blues one has ever heard
is just a small thing -- a chord moving up when
one expects it go down, for example. The
production is particularly skilled, and the fact
that Capitol Records turned this session down
after originally producing it can only be
reasonably accepted when combined with other
decisions this label has made, such as turning
down the Doors because singer Jim Morrison had ?no
charisma?. This record doesn't mess around at
all. The first track takes off like the man they
fire out of a cannon at the end of a circus, a
perceived climax swaggeringly representing just
the beginning, after all. Some of the finest
tracks are the ones that go longer than five
minutes, allowing the players room to stretch. And
that means more of Rush's great guitar playing,
of course. For the final track he leaves the blues
behind completely for a moving cover version of
'Rainy Night in Georgia' by Tony Joe White.

Recording: February 1971 at Wally Heider's Studio,
San Francisco
Production: Nick Gravenites and Otis Rush

Kat.č.: PP 301  (LP - audiofilský vinyl), Pure Pleasure , cena: 899.00 , EAN: 5060149621684 skladem: 0ks, expedujeme do 2-40 dnů